“Tragedy: All Metal Tribute to the Bee Gees & Beyond has indeed pulled off a spot-on hair-metal spoof of the song, complete with a locker-room scene that takes place at Our Lady of Perpetual Decimation High School.” —Guitar World

“Camp as a row of tents, and with more hooks than hell’s cloakroom, Tragedy guarantee it.”— Metal Hammer

“Tragedy manage to dwell in the realm of novelty while far exceeding their worth as a concept…the aesthetic is somewhere in between the flamboyance of the disco-era Bee Gees and the flamboyance of mid-eighties hair metal, with some extra flamboyance thrown in for the sake of flamboyance.” —Tiny Mix Tapes

“You’re the One That I Want” Heavy Metal Tribute to ‘Grease’ is as great as it sounds. They created a music video for the cover, and it is exactly what you’d think a heavy metal version of Grease would look like. Between the crazy outfits, wild hair, air guitars, and locker room parties, the only question left to ask is, why hasn’t this idea been adapted into a full length movie yet? We want more!” —VH1

“Decked in their hair-metal finest, with no can of Aqua-Net spared, Tragedy frolic on the beach, woo their ladies and then unleash their thrash chops in the most anarchistic pep rally this side of “Smells Like Teen Spirit.” The result is hilarious and arguably even more heartwarming than the original, not least for the visual pun unleashed on the line ‘it’s electrifying.'” —-Billboard

“One of the hottest videos on the internet. These kids aren’t the leather jacket-wearing greasers from the ’50s, but rather a modernized hard rock band of brothers attending the Our Lady of Perpetual Decimation high school. When the leader, Disco Mountain Man, arrives back in the halls, he’s greeted by his buddies who ask him what he’s been up to all summer. And much like Grease, it’s revealed that he met up with a girl. But this is no poodle-skirt wearing young lady. Instead, it’s an anarchy-loving blonde bombshell decked out in black and red. What follows is a re-imagined version of the song, with an ominous opening bass line and killer vocals from Mountain Man reminiscent of some of ’80s metal.” —Loudwire

“Everyone from Feist to Tom Jones has covered the disco hits of the Bee Gees, but perhaps no one does those gooey soft-rock numbers better than Tragedy…Shiny costumes, dramatic eye makeup and headbanging hilarity…” —Village Voice

“A note-perfect hair-metal spoof of “You’re the One That I Want” , complete with a locker scene set at Our Lady of Perpetual Decimation High School. Only instead of pony tails and poodle skirts, the girls have teased hair and tattered Hot Topic outfits. You’ll never see Danny and Sandy the same after this metal ‘Grease’ cover.” — USA Today

“Back in the dark days of disco, the Bee Gees were the shit, despite having massive teeth, bigger hair and a falsetto only dogs could hear…with the righteous power of heavy metal, We Rock Sweet Balls and Can Do No Wrong mixes Guns ‘N’ Roses swagger, the Scorpions’ sense of pomp and Judas Priest-esque vocals to create a sound that is exactly like The Darkness!”  —Kerrang

Born out of the impenetrable divide of Disco and Metal, these six fearsome brothers fearlessly obliterated the truce line that had been set in the great Disco/Metal Peace accord of 1977 when they seamlessly blended the two genres with the debut album, We Rock Sweet Balls and Can Do No Wrong, which was a collection of Bee Gees songs redone in a heavy metal treatment reminiscent of Iron Maiden, Guns N Roses and Aersomith. Since then, they have crisscrossed the globe with their spectacular live shows and having stormed across the USA, UK, Germany and Switzerland. Subsequent full length albums, Humbled By Our Greatness, Death To False Disco Metal and The Solo Albums have seen them spread their glittered wings to take on non Bee Gees classics from the disco era, soft rock anthems and party jams.

In 2015, Tragedy broke the internet with a viral video featuring their take on “You’re the One That I Want” from the Grease soundtrack.

Disco Mountain Man — lead vocals, lead back-up vocals, lead keyboards, lead cowbell

Mo’Royce Peterson — lead vocals, lead back-up vocals, lead lead guitar

Andy Gibbous Waning — lead bass, lead vocals, lead back-up vocals

Garry Bibb — lead guitar, lead back-up vocals

The Lord Gibbeth — lead drums, lead vocals

Lance — towel boy, complete idiot

From his #1 hit “I Walk the Line” in 1956 to the iconic “Folsom Prison Blues,” many have known and loved ‪Johnny Cash over the years. No love, though, seems as great as the love that singer/songwriter ‪June Carter and ‪Johnny Cash shared during their many long years together. Despite both being married at the time of meeting, and battling years of addiction, the connection between them was undeniable. In the first 13 years of their relationship, Cash attempted to make Carter his wife multiple times, and each time she denied him. Eventually June had to admit to the attraction and is quoted as saying, “I think I’m falling in love with ‪Johnny Cash, and this is the most painful thing I’ve ever gone through in my life,” as reported by Groovy History. She described it as being “in a ring of fire,” which inspired the writing of “Ring of Fire,” a song that appeared on both of the artists’ albums. Finally in 1968, Cash and Carter were engaged and soon married. Through passion and tumult, and even in the wake of their passing, the love that burned between them will always be present in their heartfelt and truthful lyrics written and performed for one another. As one of the most beloved couples in music history, ‪Johnny Cashand ‪June Carter Cash’s love lives on through their iconic duos and many albums recorded with each other.

Like their predecessors ‪Johnny Cash and ‪June Carter, who were well known performers before meeting, Danny Evans (aka Danny Uzilevsky) and Essence (Essence Goldman) of ‘Johnny & June Forever’ were also seasoned artists in their own rights before meeting. Born in the same hospital just two days apart, they had been playing music in the same circles for years, knew all the same people, but never actually met. Danny and Essence finally crossed paths in the fall of 2018 at Danny’s Allegiant Studio while Essence was recording her soon-to-be released new record. They had an immediate recognition of how well their voices and musical directions compliment each other. Reminiscent of ‪Johnny Cash and ‪June Carter Cash and other great male /female duos, this pair is a powerful emerging voice on the Americana landscape. In addition to their original music they have decided to pay homage to their heroes and dig deep into their passion for roots music with a ‪Johnny Cash and ‪June Carter Cash Revue.

Danny Evans, veteran guitarist and singer/songwriter is one of the best kept secrets of the Northern California music scene. Son of Rusty Evans, who reigned supreme as a ‪Johnny Cash Tribute Artist under the name Ring of Fire, Danny played guitar in the family band for 20 years. Danny has been called “a canny stylist and musical chameleon.” He’s shared the stage with legends such as ‪Link Wray, ‪Dick Dale, Taj Mahal, Bill Kirtchen, ‪Leo Nocentelli + many more and was celebrated as a local hero fronting the band Chrome Johnson. Danny’s musical career spans several decades, and his A list talent and charisma on the stage is only rivaled by his studio skills at the mixing board, engineering and producing records.

Award winning singer-songwriter essence has been immersed in art and music since childhood. Her birth name really is ‘essence’ – she was raised by quintessential flower children, her parents being two free spirited bohemian artists from the Haight-Ashbury ‘Summer of Love.’  essence has released 6 CDs (with a 7th on the way!) on both independent and major labels, and toured nationally opening for ‪Jason Mraz, ‪Shawn Colvin, ‪Tom Petty, ‪Sarah McLachlan, ‪Natalie Merchant, ‪Chrissie Hynde, ‪Steve Miller, ‪Pat Benatar, and ‪Linda Perry. Her sound nods to songwriting legends like ‪Tom Petty and ‪Lucinda Williams, ‪Dolly Parton, and ‪Gillian Welch.  Essence has been featured in the San Francisco Chronicle and BBC and performed on NPR’s Tiny Desk Concert. The story of her band Bernie and the Believers is currently being developed into a full length Hollywood feature film.